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A rainy day with Walter Kampmann HWG36

Irinaland over the Balkans HWG50Sunset HWG22Spiralsun and moonhouse - The neighbours HWG32Spectacles in the small face HWG33
A rainy day with Walter Kampmann HWG36Enlarge, © Friedensreich Hundertwasser
Waiting houses HWG37Little palace of illness HWG38Sad not so sad is rainshine from Rainday on a rainy day HWG 39Good Morning City HWG41Good Morning City - Bleeding Town HWG42Eyebalance number five HWG44Street for survivors HWG45It hurts to wait with love if love is somewhere else HWG46Exodus into space HWG47A rainy day on the Regentag HWG48Columbus rainy day in India HWG49Regentag on waves of love HWG51The houses are hanging underneath the meadows HWG52Crusade of the crossroaders HWG53Relations of a spider HWG55Rain of blood is falling into the garden HWG59The rain falls far from us HWG61Flooded sleep HWG62Night train HWG72Window out of the pond HWG732 to 13 windows afloat HWG 76Let us pray manitou wins HWG79Homo Humus come va HWG83The city man HWG84Pacificsteamer HWG85Car to nature - car to creation HWG 87Window right HWG92Peace treaty with nature HWG93Right to create HWG94Homo humus humanitas HWG95The second skin HWG96Right of dreamsDo not wait houses - move HWG102The four gaijin HWG 106Silent steamers HWG107City Citizen HWG108Fences of paradise HWG110snail houses with black smoke HWG 111Blue Tears HWG112Secret flowers of the king HWG113Talk in a rain of blood HWG114Cat of Mu HWG117The small barrier of beauty HWG118Alphabet HWG119Zerstückelter Sonneruntergang - Tramonto in Pezzi HWG120Der Hut von Rom - Il capello di Roma HWG121La Casa Mobile HWG122A unexpected destinations HWG 123
Visit our Art Special:
Hundertwasser graphic descriptions and signatures
ArtistFriedensreich Hundertwasser
Title: A rainy day with Walter Kampmann HWG36 (WVZ684)
Published: 1969
Technique: silkscreen in 12 colors with metalimprints in 5 colors
Size (cm): format 52 x 70, image 41 x 58
Edition: 170 exempl. signed and numbered 1-170/170, XXXXV Probedrucke
Price in EUR (VAT incl.): on request


Hundertwasser never lost his tendency to Walter Kampmann's trees, and the – inner – meeting was present to him all the time. When he lived in his lonely Hahnsäge in the northern woodquarter in Lower Austria in December 1967 for a longer time, it was the scent of the breaking winter leading him back to those origins. "Seeing the lights of the lanterns in the foggy rain and trees in the frost, then I am thinking of Walter Kampmann. Asking me which painters influenced me I always state Walter Kampmann."

With the circleshaped trees he amalgamates two figures, whose seamancaps often appear in his pictures. Windows close the architecture behind them. Here they are not open as usual but blind.

When Alberto della Vecchia discovers the Studio Quattro in Venice, in which the whole technical development of all possibilities regarding the process of the silkcut, especially the metalfoilstamping, seems to unfold, then there the next decisive step forward was done. Hundertwasser is working at the foils for the silkcut in Venice in 1968 and 1969. The points of the colourexcerpts tell us a lot about his share. It is the trees fascinating him: "Since 1948 I have been trying to paint the trees like Walter Kampmann. But I never succeeded in doing it. They became Hundertwasser-Kampmann trees, somehow more transparent and more colourful, but without the deep shining from the inside." Here they turned out in a masterly way.

Quelle: Walter Koschatzky, Friedensreich Hundertwasser, Das vollständige druckgraphische Werk 1951-1986, Orell Füssli, 1986


Hundertwasser graphic descriptions and signatures

On the graphics of Friedensreich HUNDERTWASSER you can find several signs and descriptions. By way of example we have chosen the silkscreen "Good Morning City - Bleeding Town":

1 - Color Usage Index
2 - Metal foil

3 - Color variations key
4 - Title of silkscreen
5 - Title of series
6 - Numbering of print

7, 8, 9 - Coin stamp of printing-office and publisher

10, 11 - Japanese stamp (inkan)
12 - Signature of Friensreich Hundertwasser in writing (date)

13 - WVZ of the original
14 - Phosphorescent colors
15 - Place and date of print



The artist signs his works in writing with ink in flowing hand, in Latin or in block letters, in uniform or combined way:

Stowasser, Fritz, Friedrich, Friederich, Friedereich, Friedenreich, Friedensreich, Hundertwasser, Regentag, Dunkelbunt(er).

We show you silkcuts, woodcuts and etchings as well as watches, silkscarfs, posters and artprints designed by the artist.

Situated in the artist's native town we feel a close synergy with his work, thus enabling us to provide competent advice to our customers. This has resulted from close contact with the artist and his opus for a long time, allowing us to secure the optimum pricing structure.

We have extensive connections with collectors, galleries, exhibitions and museums, allowing us to successfully trace and procure long lost graphic arts, rarities and originals.

© Pictures: Walter Koschatzky, Friedensreich Hundertwasser, Das vollständige druckgraphische Werk 1951-1986, Orell Füssli 1986, Gruener Janura AG


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